Thomas Lea Clarke is a sound artist and electronic musician living in Berlin.
His work spans installation, live performance, and composition, using sound as a medium to shape experiences, articulate spaces, and tell stories. Through recent works that engage with spatial audio composition, Clarke has been examining the ways in which sounds transform and interact with our physical environments.
Drawing on a background in broadcasting, Clarke’s installations explore connections between audio technology, memory and sonic perception—creating immersive environments that emphasise repetition, degradation, and spatiality.
Clarke has released music on multiple record labels including Optimo Music, Offen Music, and Knekelhuis. He also runs Phase Group, a record label and platform dedicated to experimental and forward-thinking electronic music.
His work has been presented at institutions including MUDAM Luxembourg, Casino Forum D’Art Contemporain, Hosek Contemporary, Silent Green, Berghain, Tramway Glasgow, Fuse Art Space, and Cafe Oto.
Originally created for the Luxembourg Pavilion at the 60th Venice Biennale in 2024, the Exhibition is the result of an ongoing collaboration between artist and musician Andrea Mancini (1989, Luxembourg) and the multidisciplinary Brussels-based collective Every Island (Alessandro Cugola, Astrid Lykke Nielsen, Caterina Malavolti, Juliane Seehawer and Martina Genovesi). At the intersection of visual art, performance and sound, the Exhibition turns into an experimental site in which guest artists are hosted by Mancini and Every Island to create new performative pieces drawing from a shared sonic library. The result is a collective artwork in which sound, space and body intertwine as the floor and glass panels on wheels act as speakers. The resonating architecture and objects contribute to an immersive experience in a shared sensory field.
Pulsar 23, Roland SP404 SX, Guitar Amplifiers, Feedback, MAX MSP
MUDAM, Luxembourg
15-18.01.2026