Thomas Lea Clarke is a sound artist and electronic musician living in Berlin.
His work spans installation, live performance, and composition, using sound as a material to shape experiences, articulate spaces, and tell stories. Through recent works that engage with spatial audio composition, Clarke has been examining the ways in which sounds transform and interact with our physical environments.
Drawing on a background in broadcasting, Clarke’s installations explore connections between audio technology, memory and sonic perception—creating immersive environments that emphasise repetition, degradation, and spatiality.
Clarke has released music on multiple record labels including Optimo Music, Offen Music, and Knekelhuis. He also runs Phase Group, a record label and platform dedicated to experimental and forward-thinking electronic music.
His work has been presented at institutions including Casino Forum D’Art Contemporain, Hosek Contemporary, Silent Green, Berghain, Tramway Glasgow, Fuse Art Space, and Cafe Oto.
Patch for live performance developed in Max MSP based on spectral processing via fast fourier analysis and granular synthesis. By analyzing the spectral profile of an input sound, the microscopic detail captured in a sonic moment can be dissected, drawn out, repeated, spatialized and transformed creating entire soundscapes from the minutiae of sonic detail.
- Programming Environment for Performance & Audio Processing
- MAX MSP
- Continuous